Games you are ashamed to admit that you like.

Based is internet slang for "does his own thing despite all social rules and expectations".

Being based is good, stay based

and thanks for appreciating this thing about me , because it makes me feel better and especially right now in this moment i feel better because i feel really terrible right now.

what does sonic have to do with autism , that does not make any sense. can you please explain why you said this ?

Sure.

Little Timmy was born in 1985, grew up in the 90s, got a megadrive as his first console in 1992. It was his first love - and he loved that little blue fuzzball, he loved running in circles and colourful colours and that awesome 90s radical attitude. Sonic, he's my favourate, he says -Aye Caramaba! a lot, wow!

Timmy didn't have a lot of friends, so he stayed indoors and played sonic a lot. And then Sonic 2 came out and wow! It was his second love - and he loved that little blue fuzzball, he loves running in more circles and more colourful colours and he says -Don't have a cow! Sonic is funny. And now he has a friend who is a little orange fuzzball who is shy and deformed and made fun off because he has two tails and he is naturally subservient to Sonic because Sonic is the cool one but they are friends!

Timmy doesn't have many friends. But sonic is his freind.

Timmy grows up some. He plays Sonic and Knuckles, which he has a sneaking suspicion is a bit shit, but Sonic is his friend so he forgives that and defends that because that's what friends do. Already the synapses in his brain are making connections that are not 100% healthy. He says -Don't have a cow! to some highschool jock and gets the absolute living shit beat out of him for being a fag. He says -Sega is the best because Sonic! and Nintendo comes around, fucks his mother and renders his touchstone console a steaming pile of flaming wreckage, followed by Sony pissing on the remains.

All of this little Timmy can almost tolerate - his brain a sizzling hot pan of teenage angst, hormones, Sonic the fucking Hedgehog and a genetic predisposition to societal failure - but worse is to come. His not-many friends abandon him, because he's a fat greasy retard, the one thing little Timmy failed to learn from Sonic was an appreciation for the powers of exercise. It's ok tho, because Sonic is still Timmy's friend in his head. He asks a girl out one day, who tells him that she'd rather fuck a diseased rottweiler than be seen dead with Timmy in public. Its OK tho, because after the suicide attempt, Sonic is still Timmy's friend in his head. In fact, Sonic comes to Timmy in daydreams now, because Timmy is a better friend than Tails. In fact, Sonic would let Timmy fuck Tails if he liked, because that's what good friends do.

At this point the mental architecture of Timmy is basically deep-fried dogshit. He is seething mass of insecurities, poor coping mechanisms, a landscape of Sonic characters plastering over mental trauma. One shameful night he fucks the Sonic the Hedgehog bedspread he got as a 12 year old from soon-to-be despairing parents. A furry is born. The next time Timmy ropes himself, his father will leave it just a little bit longer before he cuts Timmy down in guilt.

Soon the shame of fucking that bedspread is gone, replaced by a deliberate rejection of the adult real world and a retardation back into his childhood where everything was colourfully coloured and nothing bad ever happened.

Sonic has won. There will be no saving Timmy. Autism claims another soul.

Dunno. Why did Nietzsche write about the unspeakable horrors of conscious comprehension in the newly Godless voids of reality?

Also, to be frank, I'm not really writing for people with a second-grade reading comprehension.

1) Who (or what) does the character of Timmy represent?

2) What is the author's intent in portraying Sonic in this manner? Why, in your opinion, does the author choose to connect the character of Sonic with the works of German philosopher Fredrik Nietzsche? Would Freud be more appropriate?

3) The author makes use of several literary techniques over the course of this work. Discuss, in 600 words of less, the purpose and application of humour and tragedy in either oration or written works.

4) Provide a definition of the term schadenfreude. Can you think of any more examples?